Skip to main content

Revv D20

How’s this for a cool idea? An all-tube preamp with a nice assortment of built-in cabinet emulations for direct recording. But’s it’s also a 20-watt amp head fueled by two 6V6 power tubes and capable of driving speaker cabinets. And oh—it’s roughly the size of a toaster and weighs about as much as your guitar. Yup, that pretty much describes the D20 from Canada’s Revv Amplification. It’s an ingenious concept, expertly realized, and enhanced by many clever and useful features.


Familiar Feel

The amp’s front panel controls are straightforward: gain, treble/mid/bass, and master volume. The gain control employs a push/pull pot, with hotter, more distorted sounds in the out position. There’s also a headphone-out jack with a level control, a switch to lower the amp’s power from 20 to 4 watts, and a rotary switch to select one of six on board cabinet emulations. (More on those in a moment.)
To use the D20 without a cabinet, you connect to a DAW or mixing desk via the rear-panel XLR out. There’s also a standard 1/4" jack for connecting a cab. The D20 is a reactive load box, so you don’t need to connect any speakers. But if you do, you can drive a cab and record your direct signal simultaneously. The rear panel also includes a mono effects loop (buffered and in series), a USB jack for installing and editing speaker emulations via computer, and external terminals for biasing the power tubes without disassembling the chassis. There’s also an old-school MIDI-in jack for remotely switching cab emulations.




Damn, the Torpedo!

According to Revv, the D20 is the first amplifier to integrate Two Notes’ Torpedo cabinet emulation software. Torpedo products, which combine speaker cabinet impulse responses with power amp and room emulations, have acquired a fervid following among metal and hard rock players. The D20 offers a sort of “Torpedo light,” with six emulations (rather than Torpedo’s usual 32) selectable via that front-panel switch.
There are no on board controls to adjust the Torpedo sounds, but you can edit their parameters using a free Two Notes app. You can also purchase additional cabinet IRs through the app, and store up to 128 of them within the D20. But you can still only access six of them without connecting to a computer or MIDI controller.

The Verdict

The Revv D20 is an innovative product with many possible applications. To my ear, it’s best-suited for high-gain tones—especially with ambient effects added. The D20 could live on a studio desktop, driving cabinets while serving as a direct recording preamp. It would also be valuable whenever size and weight are issues. It could easily fit into an overhead bin or beneath a seat on a flight. The price is fair too, considering the D20’s North American manufacture and the formidable R&D required to produce this innovative and useful tool.

from premierguitar.com article

Comments

Popular posts from this blog

Bullet For My Valentine - Matt Tuck Guitar Gear Rig and Equipment

  Matt Tuck plays both rhythm guitar and also lead guitar, as well as being lead vocalist in the metalcore band Bullet for My Valentine. He can also play drums, keyboards, the recorder and harmonica. Let's look at some of the gear and equipment that has been seen in Matt Tuck's guitar rig.

Mastering Your Hybrid Setup: Integrating HX Stomp and TONEX Pedal for a Pro Workflow

Introduction: In modern music production, flexibility is the ultimate currency. Many guitarists are shifting toward hybrid rigs that combine the powerful modulation capabilities of a multi-effects processor with the hyper-realistic, AI-based tone modeling of pedals like the TONEX. Today, we’re breaking down how to integrate your Line 6 HX Stomp and IK Multimedia TONEX Pedal to create a seamless, professional ecosystem for both live performance and studio recording. Key Points: Optimizing Your Signal Chain: The Hybrid Approach: Use the HX Stomp for your modulation, delay, and reverb effects, while leveraging the TONEX Pedal for your core amp and cabinet tones. Loop Configuration: By placing the TONEX Pedal within the effects loop of the HX Stomp, you gain granular control over your gain staging, ensuring that your effects hit the "amp" exactly where you want them. Mastering MIDI Synchronization: Clock Sync: Keep your time-...

This app makes your headphones sound like a pro recording studio

Spend some time shopping for headphones, and you’ll quickly grow tired of devices claiming to present music “as the artist intended,” despite sporting vastly different sound. But what if your favorite cans actually could sound like the recording studio where your favorite music was mixed? Enter SonarWorks, a company I’m guessing you’re not familiar with, as it’s best known in audio engineering circles for tuning professional studio speakers. Now SonarWorks is turning its attention to something more mainstream by calibrating headphones to sound like those same studios. The concept is simple. First you tell SonarWorks’ software, called True-Fi, which headphones you’re using; 138 models are supported, at the time of writing. It then modifies your PC’s audio output in order to “flatten” the frequency response into something very close to the neutral sound of a professional mixing studio. And I do mean very close.